Jacob van Ruisdael
Dutch Baroque Era Painter, ca.1628-1682 Ruysdael's favorite subjects are simple woodland scenes, similar to those of Everdingen and Hobbema. He is especially noted as a painter of trees, and his rendering of foliage, particularly of oak leaf age, is characterized by the greatest spirit and precision. His views of distant cities, such as that of Haarlem in the possession of the marquess of Bute, and that of Katwijk in the Glasgow Corporation Galleries, clearly indicate the influence of Rembrandt. He frequently painted coast-scenes and sea-pieces, but it is in his rendering of lonely forest glades that we find him at his best. The subjects of certain of his mountain scenes seem to be taken from Norway, and have led to the supposition that he had traveled in that country. We have, however, no record of such a journey, and the works in question are probably merely adaptations from the landscapes of Van Everdingen, whose manner he copied at one period. Only a single architectural subject from his brush is known--an admirable interior of the New Church, Amsterdam. The prevailing hue of his landscapes is a full rich green, which, however, has darkened with time, while a clear grey tone is characteristic of his seapieces. The art of Ruysdael, while it shows little of the scientific knowledge of later landscapists, is sensitive and poetic in sentiment, and direct and skillful in technique. Figures are sparingly introduced into his compositions, and such as occur are believed to be from the pencils of Adriaen van de Velde, Philip Wouwerman, and Jan Lingelbach. Unlike the other great Dutch landscape painters, Ruysdael did not aim at a pictorial record of particular scenes, but he carefully thought out and arranged his compositions, introducing into them an infinite variety of subtle contrasts in the formation of the clouds, the plants and tree forms, and the play of light. He particularly excelled in the painting of cloudscapes which are spanned dome-like over the landscape, and determine the light and shade of the objects. Goethe lauded him as a poet among painters, and his work shows some of the sensibilities the Romantics would later celebrate.
   11 12 13 14 15 16 17 18 19 20  
 
 Prev Artist   Next Artist 
Jacob van Ruisdael Wooded river bank oil painting


Wooded river bank
mk207 Monogrammed 1650s Panel 26.4x35.5cm
Painting ID::  50090 		Jacob van Ruisdael
Wooded river bank
mk207 Monogrammed 1650s Panel 26.4x35.5cm
   
   
     
Jacob van Ruisdael Waterfall near oan Oak wood oil painting


Waterfall near oan Oak wood
mk207 Signed Late 1660s Canvas 142x195cm
Painting ID::  50091 		Jacob van Ruisdael
Waterfall near oan Oak wood
mk207 Signed Late 1660s Canvas 142x195cm
   
   
     
Jacob van Ruisdael Mountainous and wooded landscape with a river oil painting


Mountainous and wooded landscape with a river
mk207 Late 1970 Canvas 99.5x137cm
Painting ID::  50092 		Jacob van Ruisdael
Mountainous and wooded landscape with a river
mk207 Late 1970 Canvas 99.5x137cm
   
   
     
Jacob van Ruisdael Landscape with a cottage and trees oil painting


Landscape with a cottage and trees
mk207 Signed and dated 1646 71.8x101cm
Painting ID::  50093 		Jacob van Ruisdael
Landscape with a cottage and trees
mk207 Signed and dated 1646 71.8x101cm
   
   
     
Jacob van Ruisdael Dunes oil painting


Dunes
mk207 Monogrammed 1650s Panel 33.5x49.2cm
Painting ID::  50094 		Jacob van Ruisdael
Dunes
mk207 Monogrammed 1650s Panel 33.5x49.2cm
   
   
     
         11  12  13  14  15  16  17  18  19  20   
Prev Artist       Next Artist     
     Jacob van Ruisdael
     Dutch Baroque Era Painter, ca.1628-1682 Ruysdael's favorite subjects are simple woodland scenes, similar to those of Everdingen and Hobbema. He is especially noted as a painter of trees, and his rendering of foliage, particularly of oak leaf age, is characterized by the greatest spirit and precision. His views of distant cities, such as that of Haarlem in the possession of the marquess of Bute, and that of Katwijk in the Glasgow Corporation Galleries, clearly indicate the influence of Rembrandt. He frequently painted coast-scenes and sea-pieces, but it is in his rendering of lonely forest glades that we find him at his best. The subjects of certain of his mountain scenes seem to be taken from Norway, and have led to the supposition that he had traveled in that country. We have, however, no record of such a journey, and the works in question are probably merely adaptations from the landscapes of Van Everdingen, whose manner he copied at one period. Only a single architectural subject from his brush is known--an admirable interior of the New Church, Amsterdam. The prevailing hue of his landscapes is a full rich green, which, however, has darkened with time, while a clear grey tone is characteristic of his seapieces. The art of Ruysdael, while it shows little of the scientific knowledge of later landscapists, is sensitive and poetic in sentiment, and direct and skillful in technique. Figures are sparingly introduced into his compositions, and such as occur are believed to be from the pencils of Adriaen van de Velde, Philip Wouwerman, and Jan Lingelbach. Unlike the other great Dutch landscape painters, Ruysdael did not aim at a pictorial record of particular scenes, but he carefully thought out and arranged his compositions, introducing into them an infinite variety of subtle contrasts in the formation of the clouds, the plants and tree forms, and the play of light. He particularly excelled in the painting of cloudscapes which are spanned dome-like over the landscape, and determine the light and shade of the objects. Goethe lauded him as a poet among painters, and his work shows some of the sensibilities the Romantics would later celebrate.

Xiamen China Wholesale Stretched Oil Paintings Wholesale Picture Frames,Photo Frames, Moulding Beveled Mirrors

http://www.chinaoilpainting.com

China Oil Painting Studio Team